We left off a couple of months ago with the idea of the God of Creation, the God who is infinitely beyond all, stooping into history, and approaching His own. In Christ, the Unapproachable One, becomes approachable, the God of all takes on flesh and tabernacles among us. This brings us to a fourth point in our pursuit of a paradigm for understanding the beautiful and our place in it.
The Lord of all Creation is infinite. This must be so, or else God would have a beginning or an end, and that is nonsensical. There are two sides to this coin. The infinity of God by definition means that God is infinitely above us, beyond us, transcending every thought, concept, imagination, or word we can give. This we know, and have dwelt on already. From this starting point we arrive at our own superfluousness, and the unnecessary nature of Creation.
Infinity also means however, that God is infinitely close to His creation. As far as He is distant, He is also near. In short, He is the distance that separates us. He is the distance that breaks through the Creator/Creature distinction. He is the God who, though being above all, has irrevocably bound Himself to His Creation. He has defined Himself, named Himself, with relation to His people. In Exodus He gives Moses the name by which He will be known, and remembered. “God said to Moses, “I AM WHO I AM.” And he said, “Say this to the people of Israel, ‘I AM has sent me to you.’” God also said to Moses, “Say this to the people of Israel, ‘The LORD, the God of your fathers, the God of Abraham, the God of Isaac, and the God of Jacob, has sent me to you.’ This is my name forever, and thus I am to be remembered throughout all generations,” (Ex. 3:14-15). Even in the very name of God, He involves His purpose, His people. He is to be remembered throughout all generations as the God of a certain, particular people.
This God identifies intimately with His bride. He puts His reputation on the line, if you will. Here we have a clearer idea why the history of God’s people is so important. It is through God’s relation with us that His glory is made known to the nations. Two things we take from this. One, God uses weakness to confound strength. He uses broken clay pots to conquer the iron and steel of His enemies. The second thing we take from this is that God is not using the history of His bride apart from divine foreknowledge. In other words, He is not simply hoping the story of His grace will fall on sympathetic ears. He will be made known to the nations, and He will bring redemption to the world, placing His enemies beneath His feet. This will happen. And in order to accomplish this, He chooses to use us, the fallen and restored Bride.
This however, is more contextual, and tangential to our discussion of aesthetics, though not unimportant. To reorient us, work through this quote from David Bentley Hart’s book, The Beauty of the Infinite:
This is why consideration of the analogy of being concludes this long meditation on Trinitarian doctrine: the Father forever sees and infinitely loves the whole depth of his being in the Son, illumined as responsive love in the fullness of the Spirit, and in the always determinate infinity of His triune being God begets all the riches of being – all that all things might ever be – in the image and light of His essence; and thus God himself is already his own analogy, his own infinite otherness and perfect likeness. All things – all the words of being – speak of God because they shine within his eternal Word. This Trinitarian distance is that “open” in which the tree springs up from the earth, the stars turn in the sky, the sea swells, all living things are born and grow, angels raise their everlasting hymnody; because this is the true interval of difference, every metaphysics that does not grasp the analogy of being is a Tower of Babel, attempting to mount up to the supreme principle rather than dwelling in and giving voice to the prodigality of the gift. (The Beauty of the Infinite, 248)
This is a little thick, so lets work through it. The ‘analogy of being’ refers to the metaphysical concepts of difference and transcendence. Packed in the luggage of those terms are the two sides of the infinite described above. The triune nature of God is in essence, one of love. We have seen how this love overflows in rich abundance into Creation, showing God’s playfulness and intimacy within unnecessary gift. This is seen in “all the riches of being – all that all things might ever be – in the image and light of His essence.” All creation therefore sings in praise of who God is, for He is intimately united, by choice, and not by force, to all creation. “He is before all things, and in Him, all things consist,” (Col 1:17). “For in Him we live and move and have our being,” (Acts 17:28). Because God is infinite, and is the very space that separates us (‘even in the depths of Sheol, You are there…’), He gives life to all things. He is therefore that “open” space in which trees grow and sway in the wind, angels sing their hymns, and the oceans clap their hands in praise. Hence every metaphysic (paradigm, worldview, theology) that does not understand this, is by nature the tower of defiance and rebellion. To not recognize the ruler of heaven and earth, is to declare autonomy, which will necessarily bring confusion and exile. We cannot mount up to God. However, He can stoop down, and has in Christ. This is that gift that we are to dwell in and give voice to. We dwell in God’s bounty whether we like it or not. It is simply the way things are. We can however choose not to give voice to it. Either we refuse and climb Mount Babel, or we accept, and honor God as God, and give Him thanks.
Here is gratitude, the only word on our tongue fit for the Creator God, who is above all, and in all, and through all. Glory and power and dominion are His forever, and ever, world without end. Amen.
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